The Roman necropolis and the ever-sacred vocation of the place

The sacredness hovering around this place is still evident. Its features – typically halfway up the hill – make us think of earlier Etruscan and later Roman temples.

During the last renovation works on the compound to turn the private dwelling into a resort, a Roman saddle-roofed tomb – very poor and lacking in any grave goods – was found in the lawn near the arches (disappeared) under which spring waters flowed into the wood. Researches conducted by the Archaeological Superintendency of Perugia suggested the presence of a necropolis in a “domus rustica”, a country villa where nearby there were also houses of slaves or peasants. There is no trace of the manor house which was perhaps where the first church of St. Peter was built during the Middle Ages.

A so peculiar and pleasant place, a wood rich in water on an open slope, all combined with accounts strictly bound to the sacred and magical sphere could have resulted in the rise of a “fanum” (temple, place of worship) – perhaps pre-existing in the agricultural compound – in a strongly Romanised and pagan territory where the presence of other temples is still clearly visible.

And as in other cases, it could have been turned into a Christian Hall or a small ecclesia with coenobium which – through the spread of Benedictine monasticism – would become monasteries and abbeys. Devoting their life to the Prince of Apostles was typical of the early Middle Ages and most of the abbey churches were consecrated to Him.

The existence of this church is evidenced by some “wandering” stones found on site with engravings similar in style to those of very ancient nearby churches, such as the abbey church of Saints Fidenzio and Terenzio.

The only ancient evidence on our church is available not earlier than 1275, but failed to define the church as early-medieval or Roman building.

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Outside the wood, various gardens and a source of water could be admired. The dense wood of centuries-old oaks and holm oaks completes the compound of San Pietro sopra le Acque (St

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The portico, probably the seat of the previous medieval church The fresco in the lunette above the entrance door to the convent was also made by Polinori and depicts St. Francis re

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Actually, there are some archaeological records which may help. It deals with cavities dug in the natural tuff bastion delimiting the compound of St. Peter to the north. The first,

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